BIO

Tammy Honey is an Australian artist who for the past 25 years has made work about memory and pop culture aesthetics. Framed as a Metamodernist approach of oscillation between memory and social issues represented through painting, video art, collage, and installation. Within this structure, she works in a method of long-term, ongoing series of works that address a particular thematic situated within her practice. 

She has exhibited and screened in numerous countries and venues including the TATE Modern, Gallery of Modern Art, Brisbane, Australian Centre for the Moving Image, Melbourne, SCOPE Art Fair, and the Dundee Arts Centre, UK. She holds a Bachelor of Fine Arts from the University of Tasmania and is represented in collections such as the ERGAS Collection at the Museum of Contemporary Art Sydney and private in Australia, New Zealand, USA, Canada, Iceland, England and Indonesia. 

EDUCATION 
 

2004 Bachelor of Fine Art, Centre for the Arts, Hobart, University of Tasmania 

1996 Diploma of Art and Design, Central Metropolitan College of TAFE, Perth Campus, Western Australia

 

SELECTED EXHIBITIONS AND SCREENINGS

 

2022 96: Tammy Honey FAC Artist in Residence, virtual gallery

2021  Baby, I'm Your Man, Digital Facade, Federation Square, Melbourne

         Christmas Exhibition, Small Works by the [MARS] Artists, MARS Gallery, Melbourne

         Carried Landscapes, curated by Kim Collmer, Q18 Galerie, Quarter am Hafen, Cologne, Germany 

2019  Aesthetic Disruption, MARS Gallery, Melbourne

         Museum of Platitudes and Aphorisms - #4 c3 Contemporary Art Space, Melbourne 

2018  Spidergirl, Venice Contemporary Art Fair, Venice, Italy, NOIR Darkroom, Melbourne

         Tammy Honey: iLandscape 2007-2018, Adelaide School of Art, Adelaide 

         iLandscape, Cube 37, Frankston Art Centre, Victoria 

2012  Placeness, 8th Berlin International Directors Lounge, Naherholung Sternchen, Berlin 

2011   Boom Boom, Knowledge Knowledge, ARS Upstairs, Napier Hotel, Melbourne

2009 Figuring Landscapes, curated by Steven Ball, Catherine Ewes, Pat Hoffie, Danni Zuvela. TATE 

         Modern, London, UK, Artsway, New Forest, UK, Dundee, Contemporary Arts, Dundee, Scotland, FACT Liverpool, UK, Vivid,                             Birmingham, UK Showroom, Sheffield, UK, 7th Hull International Short Film, UK, Chapter Arts Centre, Cardiff, UK, Site Festival,                     Cinecity, UK, Brighton Film Festival Stroud Valley Artscape, UK Mermaid Arts Centre, Bray, Co. Wicklow, Ireland, Ivan                                   Dougherty Gallery, Sydney, Australia, Gallery of Modern Art, Brisbane, Australia, eMerge Media Space, James Cook                                 University, Townsville, Australia, Australian Centre for the Moving Image, Melbourne, Australia Perpetual Art Machine,

         University of Georgia Art Galleries, Athens Georgia, USA 

2008 Perpetual Art Machine, Utsikten Art Center, Utsikten, Norway, Charlotte and Phillip Hanes Art 

         Gallery, Winston-Salem, USA, SCOPE Art Fair, Basel 

         The Mirror Stage, curated by Helene Black & Yiannis Colakides, Lanitis Foundation, Limassol, Cyprus 

         Neo Goth: Back in Black, UQ Art Museum, Brisbane, Athens Video Art Festival, Athens, Greece

2007 Australian Gothic, Perth Institute of Contemporary Art, Perth, Project Space, & Spare Room, Melbourne 

         New Revelations, curated by Leon Marvell, Perth International Film Festival 2007, Spectrum Project Space, Perth

         After Cinema, curated by Shaun Wilson, 4th Berlin International Directors Lounge, Scala Theatre, Berlin 

         Voyeur One, 69 Smith Street, Melbourne

2006 Exposed, The Basement ARI, Friskas, Finland 

         Risk, Kings ARI, Melbourne, Downtown ARI, Adelaide 

2005 Vital Signs Conference, Australian Centre for the Moving Image, Melbourne 

2004 Megastar MegaMart, guerilla public projections, Hobart, Tasmania

2003 Manchurian Remix, CAST Gallery, Level 2 screening room, Hobart

2001 Tall Stories, Gasworks Arts Park, Melbourne, Different Views, Universal Gallery, Melbourne

 

ARTIST IN RESIDENCE

 

2021-22 Corridors,  Online Artist in Residence, Fremantle Arts Centre, Fremantle

EXHIBITION CATALOGUES AND BOOKS 

 

2021  Like, Whatever, Exhibition and catalogue essay by Shaun Wilson,  Laminex, Bakers Road Entertainment ISBN: 978-0648955344

2018  Spider Girl, Exhibition and catalogue essay by Jessica Schwientek, NOIR Darkroom, CC BY-SA 3.0 2011 re-Imagine:                                     Contemporary Art, book by L Chuy, Art Now International ISBN: 978-0982092132 

2008 Figuring Landscapes: artists’ moving image from Australia and the UK, Exhibition and catalogue essays by Catherine Elwes,                Steven Ball,  University of Arts London ISBN: 9781846380471

          Neo-Goth: Back in Black, Exhibition and Exhibition Catalogue, The University of Queensland Art Museum, ISBN: 9781864999167

2007 Australian Gothic: Video Art Now, Exhibition and essay by Shaun Wilson, RMIT University 

2006 Risk, Exhibition and catalogue essay, Kings ARI, Melbourne 

 

COLLECTIONS 

 

Ergas Collection, Museum of Contemporary Art, Sydney

Private collections in Australia, New Zealand, USA, Canada, Iceland, England and Indonesia